Saturday, 18 February 2012
I'll tell you shouting Jeremy - because in the next show (Sixties II) I will resume my talking and there will be NO NEED for this essentially superfluous tie-in blog.
Now could you please leave Jeremy you're horrifying the cats.
BandCamp - for FREE. IF YOU FEEL THE NEED.
Most songs are about conspiracies and whatnot but it's all a lark. This is from 2005's "Divine Propaganda"
That's it - !
Thursday, 9 February 2012
I don't know. It's what they call Pantera.
Not sure. Sounds good though.
To me it does.
Why do you like it?
THAT'S IT - THIS WAS THE NINETIES. Next week, we'll be dipping our face IN THE NOW
Thursday, 26 January 2012
No one? Really?! It's actually not as terrible as you think. Tony Martin is on vocals and... well the eighties is certainly there. As well as riff titan Tony Iommi and some session players. It's Sabbathness is debatable but good lord it's got some good riffage buried in there. It's like wading through a confusing eighties sea (see extended metaphor on Mixcloud description).
See you in the nineties - !
Tuesday, 17 January 2012
This first song is clearly The Stealer by Free. This is taken from their 1970 Isle of Wight show - which has had many releases over the years - but the one I own was released in 2006. It's cover is also the basis for the show's one. Next week's is even weirder but you'll have to wait for that. Free were a very young band when they started (Andy Fraser on bass was sixteen) and quite quite basic really. I maintain that they are quite overlooked (with the exception of that one song) and their self-titled album "Free" is one the most beautiful blues rock records released in the sixties. I recommend you investigate further!
Then it came to pass that Robin Trower showed up. This particular rendition of the well-travelled blues standard Further on Up the Road was performed by the gurning Trowerman on the King Biscuit Flower Hour in 1977 - the chap is just... phenomenal. I love him entirely and saw him in Sheffield once in the past. The distant past.
A bit of non-standard Lynyrd Skynyrd balladry here from their 1973 debut album "Pronounced Leh-Nerd Skin-Nerd" - like Free it's good to investigate the bands behind the endless greatest hits albums and *spits* Kid Rock rip-offs. Despite this and free bird, Pronounced has some very kicking tunes on it. And blimey if it ain't as darn tootin' Southern as I am. But in the US. They don't like their cider as much as us Somersetians though, that's for gosh sure yar danketty
Bit of an odd transition - and it won't get less odd. Straight on to Joy Division's She's Lost Control from the second side of 1979's "Unknown Pleasures". It's dark and angular at the end of the seventies and Joy Division with their repetitive rhythms and tragic shadows summarize it wonderfully. A new addition to my ears this, and a little out-of-step with everything else but hopefully like Mingus last week it'll prick your mind up and displace you.
And without much warning there was suddenly Rush. This is from the last disc of 1997's "Different Stages" which comes from a Hammersmith Apollo show from '78 - the song is A Farewell to Kings from the album of the same name and it's a rollicking rendition. Like Deep Purple you can't have a seventies show without them, or an eighties show, a nineties show, a current show or a show about music or life or ANYTHING. I FUCKING LOVE RUSH SHUT UP.
There's something quite addictive about this song. The Pretty Things have some mighty catchy songs - here they are riding a bit of 1974 glam rock tidal wave (or torpedo) and sound closer to Mott the Hoople or one of those lads than in their majestic psychedelic 60s heyday (S.F. Sorrow is one of the greatest concept records of all time) - they handle the change (or torpedo) well though and it's a transition (or torpedo) that pays off (or .... torpedos off? Is torpedo a verb? IF IT ISN'T IT SHOULD BE)
See you in the eighties and thank you so much for listening :D